Putting Your Logo on a Gift

Branding a gift badly is worse than not branding it. Here is what makes the difference: the file you send, the method used to apply it, and where on the object it ends up.

Send the right file

  • Vector artwork (AI, EPS, SVG, PDF) is best. It scales to any size without softening, which matters because the same logo may go on a key ring and a reception board.
  • PNG with a transparent background is the practical second choice. Send the largest version you have โ€” at least 1000px across.
  • A logo lifted from your website is usually 200px wide and will look visibly rough at print size. This is the single most common cause of disappointing branded gifts.
  • A photograph of a printed logo cannot be used. If that is all that exists, a flat scan is workable; a photo of a page is not.

Send brand colours as codes if you have them. Screens and print do not match automatically, and a specified colour is reproduced far more closely than one matched by eye.

Three methods, three different results

  • UV printing โ€” full colour, including photographs and gradients. Used on acrylic, MDF and wood. The right choice whenever the logo has more than one colour.
  • Laser engraving โ€” cut into the surface rather than applied on top, so it cannot peel or fade. Single tone only: the mark is the natural colour of the burned material. Best for wood and for gifts meant to last years.
  • Sublimation โ€” for fabric, where the dye goes into the fibres. Does not crack or wear pale the way a printed film does.

A multi-colour logo on wood therefore has a real decision behind it: UV print keeps the colours, engraving keeps the permanence. Neither is wrong; they suit different gifts.

Where the logo should sit

For gifts going to your own staff, a visible logo is fine โ€” it is a shared identity. For client gifts it should be small and off-centre: the underside of a coaster, the spine of a diary, the reverse of a key ring. A logo across the face of a desk item turns the gift into advertising, and advertising gets put in a drawer. Corporate gifts for clients covers this in more detail.

For giveaways at an exhibition or campaign the rule inverts โ€” visibility is the entire purpose, and there is no relationship to protect.

Always check the proof

Every order gets a free design proof showing your artwork on the actual product before anything is produced. Look at three things: is the logo the right size for the object, is it in the right place, and are the colours what you expected. Corrections at this stage cost nothing.

Where to go next